Recent work
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Sachsen oder USA, Hauptsache Orient, review of Enis Maci and Mazlum Nergiz’s book on Karl May, Neues Deutschland, 2024
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Pseudo-Boccaccio, Yiddish Pulp Fiction, and the Man Who Ripped Off Joyce, essay on a couple of stories by Pseudo-Boccaccio, published first in Yiddish by the Hebrew Publishing Company, then in English by Samuel Roth. Written with Maria Laurids Lazzarotti, The Public Domain Review, 2024
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Papa Came Home to Sleep, translation from Yiddish of a short story by Mimi Pinzón about a girl in a Buenos Aires conventillo, In geveb, 2024
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Das »ureigenste theatralische Element«, conference paper concerning automatic prop extraction from German dramas, Digital Humanities im deutschprachigen Raum, 2024
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Urke Nachalnik on the Yiddish Stage, article tracing the theatrical career of Urke Nachalnik, Yiddish literature’s great thief-turned-author, In geveb, 2024
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Dovid, excerpt from my current translation project, Mimi Pinzón’s Der hoyf on fentster, Yiddish in the South, 2023
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Spook, translated German novel by Klabund, Snuggly Books, 2023
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Reconstructing the Bibliography of a “Master Criminal”, Bibliography of Urke Nachalnik + short essay on OCR and bibliographies, In geveb, 2023
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Reverse Engineering “Frembdsch,” a Fantasy-Language Radio Play, weltliteratur.net, 2023
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The Powdered Corpse, translated Yiddish story by Rachel Luria, Pakn Treger, 2022
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@random-forverts, a Twitter bot that posts random pieces of the Forverts from the NLI archive, 2022
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Mapping Yiddishland, digital humanities project, EADH, 2021
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The Dragonslayer, translated German short story by Rilke, ANMLY, 2021
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mkwm, UChicago’s undergraduate journal of Jewish Studies, 2021
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Alef, Beys…, translated Yiddish poetry by Fried Weininger, In geveb, 2021
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Revisiting the Jewish Question, essay and translation of essay by Rilke, New Voices, 2021
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“Maimonides says ‘Eat Bran Flakes,’” “The Socialist Masquerade,” etc., write-ups on results of archival research, Forverts, 2019